Art science: traditions and innovations

THE PHENOMENON OF THE ARTISTIC DIRECTOR OF TERNOPIL ACADEMIC REGIONAL UKRAINIAN DRAMA THEATER NAMED AFTER TARAS SHEVCHENKO FORGEL MYKHAILO

Liudmyla Vaniuha, Nataliia Lemishka, Yevhen Latsik — Mon, 10 Feb 2025 00:00:00 +0200

The article examines the activities of the Ternopil Academic Ukrainian Drama Theater named after Taras Shevchenko under the leadership of the artistic director, Honored Art Worker of Ukraine Forhel Mykhailo, through the prism of socio-cultural transformations in Ukraine that influenced the cultural and creative process of Ternopil (1992–2006). According to the memories of contemporaries and press materials, the author examines Forgel’s M. activities at the Ternopil Academic Regional Ukrainian Drama Theater named after Taras Shevchenko. The material, which was thoroughly researched, made it possible to recreate the chronological sequence of theatrical performances and cooperation with directors. The author pays special attention to the peculiarity of Forhel's Mykhailo administrative policy of the theater, characterizing it as a “phenomenon” of the artistic director Forhel. The article highlights the creative collaboration with directors invited from other theaters, particularly the director of the National Theater named after Maria Zankovetska Fedir Stryhun, and critically analyzes the performances he staged. More specifically, the author analyzes the plays “The Landlord” by Karpenko-Kary I. (directed by F. Stryhun), “Hutsulka Ksenia” by Y. Barnych (directed by F. Stryhun), “Maclena Grasa” by M. Kulish, “At the cost of blood” by Lesya Ukrainka (directed by O. Mosiychuk), I. Karpenko-Kary's “Martyn Borulya” (directed by Bobrovsky A.), “The Last Man in Love” (directed by V. Stenko), “The Gospel of John” by A. Krym (directed by O. Mosiychuk), and others. The conclusions to the article state that the period of Forhel's leadership was one of the most productive periods in the history of the Ternopil Academic Ukrainian Drama Theater named after Taras Shevchenko. He was not afraid to experiment, so the theater diversified its repertoire, attracted the public, and was replenished with talented youth.

ART PROJECTS: HISTORICAL-RESEARCH AND PERFORMANCE ASPECTS

Iryna Hrynchuk, Nataliia Ovod, Oleh Hrynchuk — Mon, 10 Feb 2025 00:00:00 +0200

The purpose of the work is to consider the prospects for using new educational technologies, in particular, the actualization of historical-research and performance-interpretation aspects in the process of creating artistic projects by future music teachers. The research methodology consists in using historical-comparative and personalistic approaches in studying the phenomena of art, an activity approach (from the side of art pedagogy) to outline ways to actualize historical-research and performance-interpretation aspects in the preparation of art projects, and performance training of future musician-teachers in general. The results of creative cooperation between teachers of performing disciplines at the Faculty of Arts of the V. Hnatyuk National Pedagogical University convince us that the actualization of historical-research and performinginterpretative aspects in the process of creating artistic projects by future teachers of music contributes to their creative self-realization as a musician and teacher. Scientific novelty. Attention is focused on certain aspects of creative cooperation between teachers of performing disciplines of the Faculty of Arts in the process of preparing art projects of various types. The results of the preparation of integrated art projects are presented, in particular, those dedicated to various stages of the development of vocal art in Ukraine, national song heritage, famous composers-songwriters, etc., and options for the repertoire content of projects of various types are highlighted. Conclusions. The prospects for the use of new educational technologies are summarized, in particular, the actualization of historical-research and performance-interpretation aspects in the process of creating artistic projects by future teachers of musical art, the importance of creative cooperation between teachers of performing disciplines of the Faculty of Arts in general.

THE SACRED ARCHITECTURE OF MYKHAIL NETRYBYAK IN THE URBAN ENVIRONMENT OF TERNOPIL

Natalia Datsiuk — Mon, 10 Feb 2025 00:00:00 +0200

The article examines the development of the sacred architecture of Ternopil at the end of the 20th – beginning of the 21st century, highlights the work of the famous Ternopil architect Mykhailo Netrybyak and his influence on the formation of the cultural urban environment.

PREREQUISITES FOR THE EMERGENCE OF PHOTO EDUCATION IN THE TERNOPIL REGION: A HISTORICAL VIEW

Mariia Markovych, Nataliia Balan, Iryna Tiutiunnyk — Mon, 10 Feb 2025 00:00:00 +0200

Photography, as one of the art forms, is valuable primarily for its uniqueness, originality, and immediacy. The combination of the plot, composition and shooting technique together with the worldview of the author is reminiscent of figurative landscape and urban painting, therefore, in addition to the historical memory, it has an unambiguously artistic component. The development of photo art in Ternopil Oblast, as well as throughout Ukraine, has a similar character. This is a portrait photograph depicting the mood, character and age of a person.

CONCEPTUALIZATION OF ARTISTIC PRACTICES IN THE SYSTEM OF CULTURAL INTERCONNECTIONS

Olena Spolska, Yuliia Nebesna, Kateryna Panasiuk — Mon, 10 Feb 2025 00:00:00 +0200

The article is devoted to the analysis of artistic practices in the context of broader cultural practices, emphasising their dialectical interconnection, translational function and influence on the formation of values and meanings in society. The main focus is on conceptual approaches to understanding cultural and artistic practices proposed by both Western and Ukrainian researchers, including Michael Fraze, Olga Kopiyevska, Anna Ursan and Graham Sullivan. Their definitions, the role of the semantics of socio-cultural habitus, the impact of technology and social processes on the evolution of art are considered. The article also analyses the forms of events and events that include artistic elements (concerts, exhibitions, quests, flash mobs, podcasts, festivals), as well as their specificity in terms of socio-cultural design, organisation and impact on the audience. The key functions of art festivals are highlighted and innovative approaches to their management are presented. The author emphasises the role of artistic practices as a tool for preserving cultural heritage, interacting between cultures and shaping new aesthetic narratives in a globalised society. The study focuses on a deep analysis and understanding of artistic practices in the context of cultural phenomena, focusing on their essence and interrelationships. Particular attention is paid to the study of the impact of art on the formation of the cultural environment, as well as to the study of how these practices contribute to the enrichment of the cultural experience of participants and audiences. Against the backdrop of contemporary transformations in the arts and the growing relevance of cultural initiatives, it is important to unlock the potential of artistic expressions as a means of integration, dialogue and creative interaction. The study highlights not only the transformative impact of artistic practices on culture, but also their significant contribution to the formation of platforms for interpretation, exchange and co-creation in the contemporary cultural context. The article contributes to a broader understanding of artistic practices as a complex mechanism for the production of meanings and values that affects the cultural matrix of society and can be useful for researchers, cultural managers and artists.

GORDEEV`S SERHIY CREATIVE WORK IN THE CONTINUUM OF UKRAINIAN STAGE ART

Viacheslav Khimiak, Mariia Kyreia — Mon, 10 Feb 2025 00:00:00 +0200

The research provides a comprehensive assessment of the multifaceted artistic contributions of the Honored Artist of Ukraine Gordeev Serhiy in the context of professionalizing the performing arts. The article characterizes the significance of Gordeev’s Serhiy life’s work and outlines the periods of his theatrical and artistic activities. The artist’s role in the discourse of stage art in Kharkiv is considered, and the influence of Gordeev’s Serhiy personality on the formation of Ukrainian culture is noted. His creative work includes acting, directing performances, theatrical concert programs, thematic events, research, educational and methodological recommendations, and publications in performing arts. Serhiy Gordeev, a professor at the Department of Directing at the Kharkiv State Academy of Culture, has significantly influenced the formation of theater education in Ukraine. Gordeev’s Serhiy creative work includes acting, directing performances, theatrical concert programs and thematic events, research, teaching and methodological recommendations, and publications in the field of performing arts. Gordeev Serhiy is a professor at the Department of Directing at the Kharkiv State Academy of Culture and significantly influences the formation of theater education in Ukraine. His approaches and teaching methods are characterized by innovation, a desire for experimentation, and attention to the development of students’ creative abilities. The paper also highlights Gordeev’s Serhii research activities. The publications of Gordeev Serhiy, the Candidate of Art History, contribute to the development of the performing arts in Ukraine, providing new perspectives for understanding theater practice, education, and the social role of theater. He is the author of numerous scientific researches on the problems of stage art, pop art, and theater history, and a participant in national and international conferences, forums, and cultural and educational meetings. It should be noted that Gordeev Serhiy devoted his research to the theater school of Les Kurbas and Valentyna Chestyakova, whose legacy is an invaluable contribution to the development of theater art not only for Ukrainian but also for European culture. That is why these works are so important for the formation of the theoretical basis and practical aspects of theater activity.

THE IMPACT OF EUROPEAN INTEGRATION PROCESSES ON THE DEVELOPMENT OF CONTEMPORARY UKRAINIAN MUSIC: NEW OPPORTUNITIES AND CHALLENGES

Viktoriia Yanyshena, Olena Spolska — Mon, 10 Feb 2025 00:00:00 +0200

European integration opens up new opportunities for promoting Ukrainian music abroad, creating innovative music projects and participating in international events. The researcher emphasises that integration into the European cultural space is important for the formation of new trends in contemporary Ukrainian music, while preserving its national identity. The study analyses in detail the key stages of development of Ukrainian music, starting with the underground movement of the 1980s and ending with contemporary trends that cover genre diversity – from ethno-electronic to pop music. Particular attention is paid to the influence of such well-known artists as ONUKA, Go_A, Kalush Orchestra, who successfully combine traditional Ukrainian motifs with modern European genres, contributing to the international popularisation of Ukrainian culture. European integration processes also open up new opportunities for Ukrainian performers through participation in events such as the Eurovision Song Contest, music festivals such as Atlas Weekend, and cooperation with international grant programmes (Erasmus+, Creative Europe). These programmes facilitate the exchange of experience between Ukrainian and European artists, allowing them to improve their professional skills, strengthen cultural ties and improve the quality of music products. The publication emphasises the important role of modern digital platforms and social media, which allow Ukrainian artists to reach a wide international audience. As an example, the author examines the activities of the singer Yaktak, whose works have become popular thanks to the algorithms of platforms such as YouTube and Spotify, which contributes to the integration of Ukrainian music into the global cultural space. The conclusions of the research emphasise that European integration contributes to the professional development of Ukrainian artists, the promotion of national culture abroad, and the strengthening of international cultural relations. However, performers face significant challenges, such as high competition, preserving national identity, financial difficulties, and finding support. For the effective integration of Ukrainian music into the European space, state support, the development of cultural diplomacy, and strengthening of international cooperation are essential. The study is a valuable contribution to the research of the current processes of adaptation and integration of Ukrainian culture into the European context, demonstrating its uniqueness, competitiveness and importance in the globalised world.