THE PLACE AND ROLE OF RUFAT AHMADZADE'S DRAMA IN AZERBAIJANI THEATRE
DOI:
https://doi.org/10.32782/2307-1222.2026-62-7Keywords:
Rufat Ahmadzadeh, dramaturgy, televised play, sketch, Azerbaijani theatre, national culture, satireAbstract
The purpose of this article is to explore the dramatic legacy of the outstanding Azerbaijani poet and playwright Rufat Ahmadzade and his contribution to the formation and development of Azerbaijani theater, particularly in the genres of comedy and satire. The article analyzes how his works bridged the gap between literary creativity and theatrical expression, and how his unique narrative style and socially sensitive humor enriched the national theatrical aesthetic. Methods: The study is based on qualitative literary and cultural analysis. Key methodological approaches include historical-contextual analysis, intertextual study of individual plays, and critical interpretation of biographical information and theater reviews. The study utilizes both primary sources (scripts and television works by Rufat Ahmadzade) and secondary sources (interviews, memoirs, and critical essays). Comparative analysis is also applied to assess thematic and structural patterns in his dramaturgy and its reception in different media (television and theater). Research Innovation: This study presents a new academic perspective on the dramatic contribution of Rufat Ahmadzade, which has been largely understudied in both Azerbaijani and international theater scholarship. Its novelty lies in the fact that his dramaturgy is viewed not simply as popular entertainment, but as an integral part of the national theatrical canon, combining poetic language, humor, and moral criticism. Conclusions: It is noted that the dramaturgy of Rufat Ahmadzade occupies a significant place in the history of Azerbaijani theater. His works combined poetic sensibility with social satire, creating texts that resonated deeply with both the general public and theater professionals. It is emphasized that although he did not call himself a professional playwright, the popularity, social significance, and expressiveness of his dramatic texts confirm his influence on theatrical life in Azerbaijan. His ability to integrate humor, criticism, and everyday speech into coherent dramatic structures contributed to the democratization and modernization of Azerbaijani performing arts. It is noted that it is crucial to continue the academic study of R. Ahmadzade's legacy and promote his work in both the national and international theater arenas.
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