No. 39 (2014): Studia Methodologica

Статті

• PERSONAL DIARY AS A REALITY PRESENTATION METHOD. LADY MARGARET HOBY’S SELF-PORTRAIT (1599-1605)

  Bożenna Chylińska

  6-12

  • PDF

• TENNYSON’S WEEPER REVISITED – “TEARS, IDLE TEARS” IN CONTEXT

  Magdalena Pypeć

  13-18

  • PDF

• DENOTATION AND CONNOTATION OF «RUSALKA» IN POLISH AND RUSSIAN FANTASY LITERATURE

  Anna N. Wilk

  19-25

  • PDF (Українська)

• APPELLATIVE NAMES OF ANIMALS IN MANUSCRIPTED DICTIONARIES OF IVAN VAGILEVYCH (NAMES OF BIRDS)

  Anna Budziak

  26-33

  • PDF (Українська)

• PUBLIC OFFICIALS’ PROFESSIONAL ORAL COMMUNICATION DEVELOPMENT

  Tetyana Borova, Gennadiy Boroday

  34-40

  • PDF (Українська)

• UKRAINIAN SYNTACTIC CONSTRUCTIONS WITH PARTICIPLE CLAUSES IN POLISH TRANSLATION

  Joanna Patyk

  41-47

  • PDF (Українська)

• MAGICAL REALISM IN THE NOVELS OF DANIELA HODROVÁ

  Katarzyna Cupała

  48-53

  • PDF (Українська)

• COGNITIVE-ONOMASIOLOGICAL RECONSTRUCTION OF THE PROTOTYPE MOTIVE “BANQUET” IN AN ANCIENT EPIGRAM

  Mariana Chemeliukh

  54-61

  • PDF (Українська)

• THE ISSUES OF POLISH AND UKRAINIAN SYNTACTIC CONTRASTS

  Oksana Baranivska

  62-68

  • PDF (Українська)

• CONTENT-ANALYSIS OF THE EPITHET STRUCTURES AND LOGIC DEFINITIONS OF OSTAP VYSHNIA'S PUBLICISTIC TEXTS 1919-1925

  Oleksandr Volkovynskyi

  69-74

  • PDF (Українська)

• MODERN CHILDREN'S POPULAR LITERATURE: A FORMULA APPROACH (BASED ON THE NOVEL BY J. K. ROWLING, "HARRY POTTER")

  Viktoriia Vynnyk

  75-80

  • PDF (Українська)

• METHODOLOGICAL FOUNDATIONS OF MODAL PARTICLE RESEARCH IN UKRAINIAN, GERMAN, HUNGARIAN

  Marianna Marusynets

  81-87

  • PDF (Українська)

• LANGUAGE OF LITERATURE AND PAINTING: “THE GIRL ON THE BALL” BY OLGA SLONOVSKA AND PABLO PICASSO

  Andrii Gurduz

  88-92

  • PDF (Українська)

• LINES OF LIFE (AFTER JOSEPH CONRAD’S NOVEL ALMAYER'S FOLLY)

  Tamara Babiychuk

  93-99

  • PDF (Українська)

• THE CONCEPT OF “ENEMY” IN POLITICAL DISCOURSE OF AMERICAN PRESIDENTS (1989-2008)

  Anatoliy Khudoliy

  100-107

  • PDF (Українська)

• INTERNATIONAL RELATIONS OF CENTRAL SCIENTIFIC LIBRARY OF NATIONAL ACADEMY OF SCIENCES OF AZERBAIJAN IN INDEPENDENCE PERIOD

  N.Kh. Babakhanova

  108-111

  • PDF (Українська)

• FOLKLORE BASIS SHEVCHENKO BALLAD «DROWNED WOMAN»

  Romania Burak

  112-117

  • PDF (Українська)

• THE PHENOMENON OF THE SYNTHESIS OF THE ARTS AS A PROBLEM OF LITERARY SCIENCE

  Nataliia Dmytrenko

  118-124

  • PDF (Українська)

• «NEGATIVE VALUE» AS THE INTERPRETATIONAL CATEGORY AND TEXTUAL STRATEGY

  Viktoriya Durkalevych

  125-131

  • PDF (Українська)

• BEETWEN CHILDREN AND ORPHANS? OR MUR IN SEARCH OF THE FATHER

  Olesia Zvarych

  132-138

  • PDF (Українська)

• THE PECULIARITIES OF ACCENT OF NOUNS IN POETRY OF POETS OF THE ENDS OF XVIII–XIX CENTURIES

  Anzhelika Zinjakova

  139-142

  • PDF (Українська)

• LEGAL EXCLUSIVES IN UKRAINIAN REGIONAL LEXICOGRAPHY

  Iryna Nechytailo

  143-147

  • PDF (Українська)

• PROVINCE AS A MENTALLY GEOGRAPHICAL AND MORAL PHENOMENON IN THE LITERARY WORLD OF J.AUSTEN AND G. ELIOT

  Yana Kravchenko

  148-155

  • PDF (Українська)

• FROM THE BEGINNINGS TO THE PRESENT: HISTORIOGRAPHY OF CHILDREN'S DETECTIVE

  Katerina Shulkova

  156-162

  • PDF (Українська)

• REALITIES AS A CATEGORY OF NONEQUIVALENT VOCABULARY (BASED ON WORKS OF O. ZABUZHKO AND THEIR TRANSLATION)

  Olena Krutogolova, Yuliia Ryabova

  163-168

  • PDF (Українська)

• THE MESSIAH’S IMAGE C. S. LEWIS’S “SPACE TRILOGY”

  Julia Lesyk

  169-175

  • PDF (Українська)

• THE SPACIVE SEMANTICS OF VERBS (ON THE BASE OF UKRAINIAN CHIMERIC PROSE)

  Olha Bachyshyna

  176-183

  • PDF (Українська)

• BIOGRAPHIES OF FAMOUS HISTORICAL FIGURES IN THE TARAS SHEVCHENKOS’ NOVELS IN NARRATIVE INTERPRETATION

  Olga Novyk

  184-191

  • PDF (Українська)

• THE PROBLEM OF FORMING ENGLISH PHONOLOGICAL COMPETENCE IN JUNIOR STUDENTS

  Olha Senkiv

  192-197

  • PDF (Українська)

• LEXICO-SEMANTIC GROUP OF COLOR-ADJECTIVES IN THE STORY OF JULIAN OPILSKYI THE "GOLD LION"

  Tatiana Sergunina, Valerii Narolskyi

  198-202

  • PDF (Українська)

• DIALOGISM OF THE PRAYER GENRE IN LESYA UKRAINKA’S DRAMA «IFIGENIA IN TAURIDE»

  Liubov Starodubtseva

  203-208

  • PDF (Українська)

• PRESENTATION OF THE CONCEPT YOUNG IN THE DICTIONARIES OF THE UKRAINIAN LANGUAGE

  Iryna Styslo

  209-214

  • PDF (Українська)

• RECEPTION OF THE TRADITIONAL IMAGE OF DON JUAN IN MODERN UKRAINIAN DRAMATURGY

  Mariia Hutsol

  215-218

  • PDF (Українська)

• THE DESIRE TOWARDS PSYCHOLOGICAL DEATH AS A CONSEQUENCE OF POSTCOLONIAL TRAUMA (BASED ON THE PLAY BY OLEKSANDRA POGREBINSKAYA "AUTUMN FLOWERS")

  Nataliia Veselovska

  219-222

  • PDF (Українська)

• FEATURES OF ‘THE NEW DRAMA’ IN E. PLUZHNYK’S PLAYS ‘PROFESSOR SUKHORUB’ AND ‘IN THE COURTYARD AT THE SUBURB’

  Kateryna Sukhovieienko

  223-227

  • PDF (Українська)

• VICTORIAN METANARRATIVE OF SCIENCE IN POSTMODERN CONTEXT OF THE NOVEL «THE REMARKABLE CREATURES» BY TRACY CHEVALIER

  Olena Tupakhina

  228-236

  • PDF (Українська)

• AUTOBIOGRAPHICAL DISCOURSE IN THE SPACE OF HUMAN CULTURAL IDENTITY

  Viktoriia Siruk

  237-239

  • PDF (Українська)